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Women on Aeroplanes Public Programme
Mani Kaul: Essay Film Festival
Fukushima and Visual Inquiry
Artists’ responses to the Fukushima Disaster
Climates of Fiction: Cinemas from the Capitalocene
Genres of the Human
An Endless Suddenness: Thinking with music that resists resistance
Filmic Dialogue with Yunjoo Kwak and Igor Sevcuk
Continental Afrofutures Lecture Series. Lecture 1: Laingian Science Fiction
The old is dying and the new cannot be born: states, strategies, socialisms
Artists’ Moving Image Practice in Britain: From 1990 to today
In The Year of The Quiet Sun
Statecraft : An Incomplete Timeline of Independence
A Cinema of Songs and People : The Films of Anand Patwardhan
The Journey, Peter Watkins
Medium Earth
Body Tremors: The Geopoetics of Prediction and Premonition
The Radiant
A Lure a Part Allure Apart
Index number 1. Spring 2011
Lise Autogena and Joshua Portway
Factory Trouble
Turner Prize / The Image in Question III
The Image In Question III
Turner Prize / The Image in Question III
Star City: The Future Under Communism
Bucharest Biennale 4
Inner Time of Television
Eyal Sivan
In The Court of The Image
Anomalies: From Nature to The Future
Audio Poverty
Harun Farocki: Three Early Films
If I Were President: Taking Temperature by Image
Compendium, Temple Bar Gallery
SANTHAL FAMILY: positions around an Indian sculpture, Mukha
The Ghosts of Songs
The Otolith Group at ARGOS
Notes On Archives
The Ghosts of Songs - A Retrospective on The Black Audio Film Collective 1982-1998
Otolith II, Casco
You Have Not Been Honest
Images Sometimes Tremble: Encounters with Durational Cinema
Travelling is Impossible
Just In Time
Tate Triennial 2006, New British Art
To what extent should an artist understand the implications of his or her findings?
[prologue] new feminism/new europe
Our House is a House That Moves
Otolith I
John Akomfrah
Black Audio Film Collective

The Otolith Group in Budapest at Blood Mountain