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Works
Climates of Fiction: Cinemas from the Capitalocene
Pan African Space Station
Co-op Dialogues: 1966-2016 with Jean Matthee
Genres of the Human
An Endless Suddenness: Thinking with music that resists resistance
Filmic Dialogue with Yunjoo Kwak and Igor Sevcuk
The Pop Group, For How Much Longer Do We Tolerate Mass Murder?
The old is dying and the new cannot be born: states, strategies, socialisms
Artists’ Moving Image Practice in Britain: From 1990 to today
The Eros Effect: Art, Solidarity Movements and the Struggle for Social Justice
The Chimurenga Library
L.A. Rebellion Seminar
Public Assets: small-scale arts orgainsations and the production of value
it took forever getting ready to exist: UIQ (the unmaking-of)
UIQ in LOVE_A Love of UIQ : Between Translation and Transduction
In The Year of The Quiet Sun
The Anthropocene Project
In The Year of The Quiet Sun
In Search of UIQ: It took forever getting ready to exist Part 1
In The Year of The Quiet Sun
Reflections on Damaged Life
After Year Zero / Geographies of Collaboration since 1945
A Cinema of Songs and People : The Films of Anand Patwardhan
The Journey, Peter Watkins
What Can Art Do
The Whole Earth
Medium Earth
Body Tremors: The Geopoetics of Prediction and Premonition
Book Launch
Images Sometimes Tremble
The Otolith Group at The Julia Stoschek Collection
People To Be Resembling
Modern Monsters Death and Life of Fiction
The Radiant
Double Bound Economies
WESTFAILURE
Thoughtform
Jean Genet
A Lure a Part, Allure Apart - Events
A Lure a Part Allure Apart
Under Zero: A Cine-geography of Militant Gestures
Alias. Survey
Índex number 1. Spring 2011
Holodecks (and Other Spaces)
THE 'AND': PLACE OF ACTION
A Sunken Trembling Recalled Dimly
Dopplereffekt
Lise Autogena and Joshua Portway
Factory Trouble
The Russian Connection
Thoughtform
Image-Mouvement
Justin Barton and Mark Fisher
Brian Rogers
Rayya Badran
In The Year 2103
The Image in Question III
British Art Show 7
The Image in Question III
Star City: The Future Under Communism
Bucharest Biennale 4
Home Works V
29th Bienal de Sao Paulo
Inner Time of Television
Shanay Jhaveri
Eyal Sivan
Harun Farocki: Against What? Against Whom?
Women and the Archive: A Partial Disclosure
In The Court of The Image
A Long Time Between Suns Part II
Silvia Maglioni & Graeme Thomson
Universal Code
Imag(in)ing_(Hi)storytelling, CA2M Centro de Arte Dos de Mayo
The Status of Difference
Audio Poverty
Harun Farocki: Three Early Films
If I Were President: Taking Temperature by Image
Otolith III
Compendium, Temple Bar Gallery
Harun Farocki
Home Works IV
ICO Essentials: The Secret Masterpieces of Cinema - Protest
Now Showing
7th Shanghai Biennale
SANTHAL FAMILY: positions around an Indian sculpture, Mukha
Film as a Critical Practice
2nd Riwaq Biennale
Otolith II
The Otolith Group at ARGOS
The Ghosts of Songs - A Retrospective on The Black Audio Film Collective 1982-1998
Otolith II, Casco
You Have Not Been Honest
Ecotopia: The Second ICP Triennial of Photography and Video
Art Is What Makes Life More Interesting Than Art
Enthusiasm
Space Soon
If I Can't Dance I Don't Want to be a Part of Your Revolution
Images Sometimes Tremble: Encounters with Durational Cinema
Be silent, for the ears of the god are everywhere
Just In Time
Philip
How to Improve the World: 60 Years of British Art
Tate Triennial 2006, New British Art
To what extent should an artist understand the implications of his or her findings?
[prologue] new feminism/new europe
Black Science: Visions of the Future
A Free State
Our House is a House That Moves
Otolith I
John Akomfrah
Black Audio Film Collective

Blog
London Premiere of Anathema (2011)
The Otolith Group in Budapest at Blood Mountain
The Otolith Group Website

Images