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Fukushima and Visual Inquiry
Artists’ responses to the Fukushima Disaster
Climates of Fiction: Cinemas from the Capitalocene
Genres of the Human
An Endless Suddenness: Thinking with music that resists resistance
Filmic Dialogue with Yunjoo Kwak and Igor Sevcuk
Continental Afrofutures Lecture Series. Lecture 1: Laingian Science Fiction
The old is dying and the new cannot be born: states, strategies, socialisms
Artists’ Moving Image Practice in Britain: From 1990 to today
In The Year of The Quiet Sun
A Cinema of Songs and People : The Films of Anand Patwardhan
The Journey, Peter Watkins
Medium Earth
Body Tremors: The Geopoetics of Prediction and Premonition
The Radiant
A Lure a Part Allure Apart
Índex number 1. Spring 2011
Lise Autogena and Joshua Portway
Factory Trouble
The Image in Question III
The Image In Question III
The Image in Question III
Star City: The Future Under Communism
Bucharest Biennale 4
Inner Time of Television
Eyal Sivan
In The Court of The Image
Anomalies: From Nature to The Future
Audio Poverty
Harun Farocki: Three Early Films
If I Were President: Taking Temperature by Image
Compendium, Temple Bar Gallery
SANTHAL FAMILY: positions around an Indian sculpture, Mukha
The Ghosts of Songs
The Otolith Group at ARGOS
Notes On Archives
The Ghosts of Songs - A Retrospective on The Black Audio Film Collective 1982-1998
Otolith II, Casco
You Have Not Been Honest
Images Sometimes Tremble: Encounters with Durational Cinema
Travelling is Impossible
Just In Time
Tate Triennial 2006, New British Art
To what extent should an artist understand the implications of his or her findings?
[prologue] new feminism/new europe
Our House is a House That Moves
Otolith I
John Akomfrah
Black Audio Film Collective

The Otolith Group in Budapest at Blood Mountain